Only band of the night.
We found out a week and
a half before (Jan 31) that our bassist, who had given notice
that he'd be leaving, but who had said
that he'd cover all remaining booked gigs, was actually going
to bail on the last two shows that he had initially planned
on playing. We don't wish to bad mouth him, and we do wish
him well, but this really put us in an extraordinarily tight
spot.
Luckily, we'd been in the position of playing as a three-piece
before, so Tom, Slim and I hastily put together a set of usable
songs that fit the following criteria; they had to work with
only one guitar, either Tom or I had to be able to play bass
on each song, and with that, one of us had to be able to sing
as well.
Playing bass on our songs isn't that difficult if you're
already a guitarist. The problem is playing bass while singing
- especially
when you're not used to it. I brought my bass to work every
day and practiced at lunch, and Tommy went to guitar stores
at lunch and practiced on their equipment.
We would be good,
but a bit sloppy.
Meanwhile, we all tried desperately to ignore
the weather reports that were predicting a blizzard of 20+
inches of snow, because
NYC clubs generally don't close, so we knew we would be playing
- even if it was to be just us, Reverend Caroline, BatPam,
Mike and the bartender.
We made the drive down with little incident.
It was snowing, but there wasn't too much coverage, and very
little traffic.
Both Tom and I were able to find spots right outside Otto's,
and our friend Jason had opted to join us as well. This meant
that, at worst, there would be at least one more person in
the audience than onstage.
We got in to Otto's, and there was
a comedy show underway. A few of our entourage went back to
check it out, but I waited
at a table by the bar with the others so that I could greet
any other folks who might brave their way through the storm
for a night of rockin'. We also spoke a little with Nell, the
awesome bartender. I was driving, so I was drinking seltzer,
but I heard she poured with a heavy hand. Our kind of gal!!!
I
couldn't have predicted it, but as our set time drew near and
the comedy troupe packed up, there came a steady stream
of TFL friends through the door. I was quite excited as I was
setting up to see every table in the place filled, except for
the one right in front of the stage (NYC audiences - myself
sometimes included - are often too cool to sit in the front).
Then, the lovely Amber, along with her beau Matt, came in to
fill the last table.
We had planned on playing to nobody, and
instead it was a packed room (later on, others from the bar
wandered back to what became
a standing-room crowd)!
The show started and we were sounding
pretty good. Our playing was very tight, and even the songs
that traditionally have
two guitars were sounding full. Most importantly, both the
band and the crowd seemed to be having a truly great time.
Shows like this are the reason we became musicians in the first
place. Well, that and the girls.
I only had two problems. I
couldn’t move around anywhere
near as much as usual because I always had an instrument strapped
to me. Worse still, we play a lot harder live than we do in
rehearsal, and live we have to go from one song right into
the next or else the show can lose momentum. Playing bass so
hard without stopping was causing me to have a serious cramp
in my forearm (yes I know this makes me sound wussy. If I were
actually a bassist/vocalist, I'm sure I could have handled
it). Many forearm jokes were made by band and male audience
members for the remainder of the evening - to the feigned chagrin
of some of the ladies in attendance.
By the end of I'm Not Fine,
I was trying not to scream in pain. I got a much needed break
with a new cover tune that we had
chosen just for the three-piece. We played Tommy Tutone's 867-5309/Jenny,
and Tom sang it. He sounded great, and the audience clearly
dug it. Since I was able to not have to sing, I was able to
play bass much more softly (and properly), and that helped
a LOT!
Then, it came time for Tom to play bass for the next
two songs. We did Sailor and Beautiful in Black. Tommy even
played a bass
solo during the latter number and it sounded great. I'm also
going to state right here before I forget that Tom and Kisco
Slim were ON for the whole night. Three-piece or not, this
was one of our best shows in a long time.
With the bass back
in my hands, we forged ahead, dedicating Superstar to BatPam
as she passed Valentine's Candy to the
audience on our behalf. During Achiever, I lost my place on
the bass twice, but the audience didn't seem to notice (politeness?
Drunkenness? Who's to say?). During A Song for the Ladies,
I blew the lyrics to the first two choruses, much to Rev. Caroline's
amusement.
By this point, despite my minor flubs, the show was
really going great, and the audience was active, loud, and
seemingly
enjoying themselves. Tommy sang on Wasted, giving me a little
more comfort so I could drop back and just concentrate on bass
(side note: our good friend Edy swears that she will be onstage
for "Wasted" at our show in Brooklyn on the 23rd.
She says she doesn't know if she'll be dancing or singing,
but I told her she's welcome anytime).
By the time we got to
Baghdad (the song), my arm had cramped so much that I wasn't
holding the pick properly, so I had to
finish out the song with my thumb. Happily that was the last
song I was scheduled to play bass on.
I picked up my guitar
and we dove into Got No Life. During the second verse, the
guitar signal cut out, so I tried figure
out what was wrong, and I saw that everything was connected
correctly, so I knew it had to be the cable. I put down the
guitar, went across the stage, grabbed Tommy's Les Paul, and
was back at the mic in time for the next line of the song.
I
then switched cables and we finished the last two songs of
the set with me back on my guitar. And all was right with the
world.
(Steve played bass unless otherwise noted)
SHE WAS JUST
A GIRL
WE'RE ALRIGHT
TAKE JANINE AWAY
PARTY DRESS
I'M NOT FINE
867-5309/JENNY
SAILOR (Tom bass)
BEAUTIFUL IN BLACK (Tom bass)
SUPERSTAR
ACHIEVER
A SONG FOR THE LADIES
WASTED
BAGHDAD
GOT NO LIFE (Tom bass)
STAY UP AND TALK TO ME (Tom bass)
VIVA LAS VEGAS (Tom bass)
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CLICK A LINK BELOW TO READ STEPHEN'S
FIRST-PERSON ACCOUNT OF EVERY GIG WE'VE EVER PLAYED!
**The gigs with red stars have PHOTOS** |
| OTHER 2006
SHOWS |
August
4th,
Friday
Desmond's TavernNYC
July
8th, Saturday
Otto's Shrunken Head NYC
June 10th,
Saturday
Otto's Shrunken Head NYC
May 13th,
Saturday
Pussycat Lounge NYC
April 28th,
Friday
(with The Heaves)
The Hook
Brooklyn, NY
April 18th,
Tuesday
The Continental NYC
March 24th,
Friday
CBGB Lounge NYC
March 21st, Tuesday
The Continental NYC
February
23rd, Thursday
Trash (aka The Trash Bar) Brooklyn,
NY
February
11th,
Saturday
Otto's Shrunken Head NYC
January
24th, Tuesday
The Continental NYC
January
6th, Friday
Desmond's Tavern NYC
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