Only band of the night. Two sets.
Backstory:
I work in the offices at Iona College, and some of the people
on campus know that I’m in a band. In early January,
one of the folks in their student activities department called
me to say that they were looking to have a party on the Friday
night of the first week of classes, and wanted to know if we
could play. They were offering money, so we jumped at the chance.
Iona
students are notorious for not participating in non-basketball
related campus events, and, as part of the contract, we’re
not really allowed to bring non-Iona people to the gig, so
we suspected that the crowd would be small. We were right.
The
activities staff had requested and received promo material
from us (photos, logos, etc) so that they could make posters
to advertise the gig. Unfortunately, they never got around
to making it. Not only that, when we got there, we found that
we were scheduled at the exact same time as the first basketball
home game of the semester. Of course.
Because we weren’t
allowed to advertise the show, the promotion was strictly in
the activities department’s
hands. They had warned us that there wasn’t likely to
be many people there, but they hadn’t said that they
weren’t going to let anyone know about the show at all.
When we got there, we surprised the staff of the campus venue,
who didn’t even know we were scheduled to play. But they
were paying, so we were happily playing.
The Show
Lucky for us, we had a few students come in to check us out,
and they stayed for nearly the whole show. I also had a few
cool co-workers show up, some other on-campus friends, and
Jane and Rev Caroline, so we weren’t playing to an empty
room.
We set up with the intent of using the venue’s PA.
We had been warned that it wasn’t wonderful, but that
it did have monitors. Monitors are the only way that singers
can hear their voices onstage, so we figured a crappy PA with
monitors would be better than our PA without them.
Because we
were doing two sets to people who weren’t
familiar with our originals, we decided to play all of our
usual cover tunes, and added the rarely played “Creep” (Radiohead)
and “Santa Monica” (Everclear).
As we started to
play the first set, we all realized that the stage monitor
for the vocals weren’t working. Because
the actual speakers for the audience was over our heads and
in front of us, none of us could hear ANY of the vocals. This
made it really tough to sing in tune, it made it very hard
for the other guys to know where in the songs we were, and
it caused Tom and me to have to sing much louder than normal,
which resulted in our straining our voices.
The first set was
tentative to say the least. We were frustrated with the vocal
problems, and during “Achiever” it
had gotten so bad that Geller lost his place in the song and
we had to cut it short.
We’ve been doing this long enough
that we can play through crap like this without too many problems,
and I think we did
okay, though it was possibly the weakest set we ever played.
I like to think we were at least entertaining, but it’s
impossible to be objective about it.
As soon as the first set
ended, I made the decision that we were gonna hook up our own
PA so that we had control over the
vocals. We wouldn’t have any monitors, but as long as
we put the speakers on stage, we would be able to pick up some
of the ambient sound. Also, the folks in the audience wouldn’t
have to hear the music coming from the stage with the vocals
overhead.
We hooked it up very quickly and even had time to
hang out with the folks in the audience.
Our own PA was a great
move, and we improved significantly by the second set. We were
so much tighter and that gave us
so much more energy and enthusiasm. However, we were a little
tired and raw from the debacle that was the first set that
we still weren’t at 100%.
The second set just whizzed
by, and the audience that remained seemed to enjoy it a lot
more as well. I was able to move around
a lot more on and offstage, and we even had the chance to re-do “Achiever.” This
time we nailed it.
Iona is a fairly conservative campus, so
we had to cut “Bloody
Tuesday” and “Lesbian Circus” from the set.
I also had to cut the curses out of the songs that we did play.
We were able to sneak in “A Song for the Ladies” because
no on ever listens to the words.
Even with the promotional and PA problems, we ended up having
a really great time. If they ever ask us back, we’ll
do it in a heartbeat. But again, we won’t be allowed
to publish it on the website until after the fact.
Set One
STAY UP AND TALK TO ME
SHE WAS JUST A GIRL
ZIGGY STARDUST
BEAUTIFUL IN BLACK
BAGHDAD
AMERICAN GIRL
PARTY DRESS
ACHIEVER (aborted)
RAVE ON
LEAD YOU ON
GOT NO LIFE
BURNING LOVE
Set Two
SANTA MONICA
SAILOR
EVE OF DESTRUCTION
SUPERSTAR
WE’RE ALRIGHT
SWEET JANE
I’M NOT FINE
CREEP
WASTED
A SONG FOR THE LADIES
ACHIEVER (again)
BEST FRIEND’S GIRL
TAKE JANINE AWAY
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CLICK A LINK BELOW TO READ STEPHEN'S
FIRST-PERSON ACCOUNT OF EVERY GIG WE'VE EVER PLAYED!
**The gigs with red stars have PHOTOS** |
| OTHER 2005
SHOWS |
December
6th, Tuesday
The Continental
November
17th, Thursday
TRASH (in Brooklyn)
November
4th, Friday
**Otto's
Shrunken Head**
October
21st, Friday
LebowskiFest
NYC
The Knitting Factory
October
11th, Tuesday
**The
Continental**
August
9th,
Tuesday
**The Continental**
July 14th,
Thursday
**CBGB Lounge**
June
16th,
Thursday
**Otto's Shrunken Head**
May
27th,
Friday
**Wild Spirits**
April
2nd,
Saturday
**Wild Spirits**
March
2nd, Wednesday
**Otto's Shrunken Head**
February
1st,
Tuesday
**The Continental**
January
21st, Friday
**Iona College**
January 15th, Saturday
The Orange Bear
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